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Item 10: The Necropolis of Animals

by A Virtual Memory

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1.
Hyena-Swine 23:35
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3.
4.
5.

about

“All tears within me now are dormant or dead. My veins are bursting with a thirst that cannot be ignored.”

A Virtual Memory is S. Taillifer

Accompanying album artwork:

www.flickr.com/photos/avirtualmemory/albums/72177720305730536

Music video for "Shadows on the Cave Wall [Natalie Nagpal Rmx]":

youtu.be/9ctl0cNymXw

credits

released January 20, 2023

All artwork and photography by S. Taillifer
All original source material used in collages for the accompanying album booklet (and some featured in the related “Shadows on the Cave Wall” music video) taken from the Smithsonian’s Open Access Archive which can be found here: si.edu/openaccess

Additional Personnel:
Mx.: lead vocals on track 04 / backing vocals on track 05 / additional drones on tracks 02 and 05 / flute on tracks 01 and 03.
Natalie Nagpal: remixing and additional instrumentation on track 03.
Monks and Nuns of the Drukpa Order: vocal source material on tracks 01, 02, 04, and 05.
Doudou N'Diaye Rose: additional rhythmic source material on tracks 01 and 05.
Rizman Putra: additional rhythmic source material on track 03.
Helena Senda: all animation and video editing on “Shadows on the Cave Wall [Natalie Nagpal Rmx]” music video.

All creations made in Audacity from 2020 to 2023. Except where noted, all compositions are comprised of manipulated field recordings.

Natalie Nagpal’s music:
soundcloud.com/slipnat
instagram.com/__slipnat/

Helena Senda’s artwork:
instagram.com/senda_hell/

license

all rights reserved

tags

about

A Virtual Memory Washington, D.C.

Multidisciplinary artist working with mixed media, collage, digital art, and photography with a specific focus on prehistory, architecture, nature, and time. This specific project is the musical component of this larger journey.

A Virtual Memory: S. Taillifer / Permian Designs

Mx.: All modeling and calligraphy as well as additional instrumentation, photography, and field recordings [where noted]
... more

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